gan Tahar Ben Jelloun'> Gwerddon

Chwilio am oddrychedd yn L'Homme rompu gan Tahar Ben Jelloun


Chwilio am oddrychedd yn L'Homme rompu gan Tahar Ben Jelloun
Searching for subjectivity in Tahar Ben Jelloun's L'Homme rompu

Sophie Smith

After a brief summary of the recent theoretical context of masculinity studies and the notion of identity, this article will analyze the construction of masculinity in a novel by one of Morocco’s most notable authors, Tahar Ben Jelloun’s L'Homme rompu. It will refer to this theoretical context in order to highlight the full weight of discursive pressures that are exerted on the individual. It will offer an in-depth analysis of masculinity and identity in the novel and, with reference to its unofficial sister-novel, Simone de Beauvoir’s La Femme rompue, will question to what extent the existentialist concepts of individual choice and subjectivity are still valid in the current theoretical climate.


Reference:

 
  	Sophie Smith, 'Chwilio am oddrychedd yn L'homme rompu gan Tahar Ben Jelloun', Gwerddon, 15, July 2013, 41-59.
   

Keywords

 
    Identity, masculinity, subjectivity, Jelloun, rompu.
    

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